Photomerge

With the use of Photoshop I was able to photo merge all 4 photos to create a Panoramic image.

Final Image

Texture, Positive and Negative Space

Set in A, F6 Stop, 1/60 s, ISO 100 

Class Time Work

Set in A, F6 Stop, 1/15 s, ISO 100

Class Time Work

Set in A, F10 Stop, 1/60s, ISO 100

Self-Directed Time

Set in A, F10 Stop, 1/30 s, ISO 100

Self-Directed Time

Set in A, F10 Stop, 1/10 s, ISO 100

Self-Directed Time

Set in A, F1 Stop, 1/60 s, ISO 100

Self-Directed Time

Edward Steichen (1879-1973

Wheelbarrow with Flower Pots, France, 1920

8 x 10 inches, silver gelatin print, made by George Tice, late 1990s: $9,000.00

Edward Steichen, Spiral Shell, 1921, photograph, reproduced with permission of Joanna T. Steichen

Line and Pattern

Set on A, F8 Stop, 1/25 s, ISO 100, Taken at the Otara Park

Set on A, F11 Stop, 1/50 s, ISO 100 

Self -Directed Time

Set in A, F6 Stop, 1/60 s, ISO 100

Self-Directed Time

Detail from Rescue and resuscitation, Manly, 1940s by Max Dupain. Source: Supplied

AUSTRALIA SQUARE, SYDNEY DECEMBER 1969
ARCHITECT: HARRY SEIDLER
SCULPTOR: ALEXANDER CALDER
BUILDER: CIVIL AND CIVIC 

Composition

Original Image

Set in AV, F9 Stop, 1/60 s, ISO 100, White Balance, Taken Outside
Post Production of lion photoshopped into landscape.

Set in AV, F9 Stop, 1/12 s, ISO 100, White Balance, Taken Outside
Post Production of image demonstrating the Rule of Thirds.

Crop Test, original

By cropping it allowed me to have a more tighter composition

Cropped only top half of my subject

Lisa REIHANA Ngāpuhi: Ngāti Hine, Ngāi Tu
New Zealander 1964–
Hinepukohurangi2001
from Digital Marae 2001–
cibachrome photograph mounted on aluminium
200.0 x 100.0 cm

Double self portrait with daughter Doon, Diane Arbus, 1945.

Olive Cotton Australia 1911-2003

Skeleton Leaf
1964
Gelatin silver photograph
24.7 × 19.6 cm

Advantage Point

Set on AV mode, F5 Stop, 1/60 s, ISO 100, Taken outside
Post Production (Fore, Mid, Background)

Set on AV mode, F5 Stop, 1/60 s, ISO 100, Taken outside
Original (Fore, Mid, background)

Set in AV mode, F9 Stop, 1/80 sec, ISO 200,Taken at the Otara Mall
Post Production of Malita demonstrating the idea of Fore, Mid and Background

Set on AV Mode, F5 Stop, 1/40 s, ISO 800, Taken on Bridge
Advantage Point 1 (unedited)



Set on AV mode, F5 Stop, 1/40 s, ISO 400, Taken on Bridge
Post production of Advantage Point 2

Set on AV mode, F5 Stop, 1/40 s. ISO 400, Taken on Bridge
Post Production of Advantage Point 3

Set on AV Mode, F5 Stop, 1/40 s, ISO 100, Taken on Bridge
Post Production of Advantage Point 4

Set in A, F5 Stop, 1/60 s, ISO 3060

Advantage Point, Self-Directed Time

Set in A, F4 Stop, 1/60 s, ISO 200
Advantage Point, Self-Directed Time

Set in A, F4 Stop, 1/8 s, ISO 100
Advantage Point, Self-Directed Time

Set in A, F5 Stop, 1/200 s, ISO 100
Advantage Point, Self-Directed Time

Ansel Adams, Adams The Tetons and the Snake River

Size of this preview: 749 × 600 pixels. Other resolutions: 300 × 240 pixels | 600 × 480 pixels | 959 × 768 pixels | 1,279 × 1,024 pixels | 3,000 × 2,402 pixels.

Original file ‎(3,000 × 2,402 pixels, file size: 1.78 MB, MIME type: image/jpeg)

‘Shukhov tower’ photo by Alexander Rodchenko, 1929

Photographic Element (Advantage Points)

Digital Technology Class Task (Photoshop)

Set on AV, F5 Stop, 1/60 s, ISO 100, Taken outside.
Post Production of butterfly photoshopped on to flower.

Aperture

Introducing Aperture = Depth of Field

The depth of field is the area of sharp focus extending in front of and behind the point you actually focus the lens on. A large lens opening f/2.8, gives you less depth of field than a small opening f/16 or larger f/number.

Area of sharpness

Set on AV, F5.6 Stop, 1/60 s, ISO 100, Taken outside
Shallow Depth of Field

Set on AV, F6 Stop, 1/160 s, ISO 100, Taken Outside
Shallow Depth of Field

Set on A, F6 Stop, 1/60 s, ISO 100 Taken at the park
Deep Depth Of Field, Self-Directed Time

Set on A, F4 Stop, 1/40 s, IS0 100, Taken at park

Shallow Depth Of Field, Self- Directed time

Lewis Hine

                                                Girl worker in Carolina cotton mill
                                                                            1908

Shutter Speed

Introducing Shutter Speed.

The shutter is a curtain that opens to let light in to form an image on the film, and then closes again to keep light out.

Fast shutter speeds (1/1000 second or faster) stop all but the fastest moving subjects while slow shutter speeds (1/8 second) moving subjects form a blur that seems to flow across the photo.

A typical shutter speed dial shows speeds from: 1 Second 1/2, 1/4,1/8,1/15,1/30,1/60,1/125,1/250,1/500,1/1000,1/2000 second.

Frozen and Blurred Motion

Class Tasks:

Set on TV, F4 Stop, 1/80 s, ISO 200, Taken Outside

Set on T.V, F4 Stop, ISO 200. Taken Outside

Set on S, F5 Stop, 1/60 s, ISO 1800 S

Self-Directed Time

Set on S, F5 Stop, 1/125 s, ISO 400 Taken at Rainbows End

Self- Directed Time

Set on S, F5 Stop, 1/80 s , ISO 400 Taken at Rainbows End
Self-Directed Time

Set in S, F5 Stop, 2.5 s, ISO 100
Blurred Motion, Self-Directed Time

Robert Adams, Longmont, Colorado, 1979. Gelatin silver print; 5 x 5 in. TR2004’13197’13’2, 3/19/08, 11:00 AM, 16C, 6000×6716 (0+0), 100%, Custom, 1/80 s, R64.2, G37.2, B50.1

Rudbeckia in Breeze,2006, Freeman Patterson, produced on Watercolour Paper in the Giclee Process